Nathaniel Hawthorne-Gothic Elements

Nathaniel Hawthorne uses knightly elements in his stories a big(p) deal. The story it stuck out to me the most in was Young Goodman Brown. The main affaires in the story that made the gothic elements stick out to me are most of the settings, and characters, and events that happen within the story. This all in all story is crawling with gothic elements, some(a) very obvious and others non so much. The story starts of in the ripe 16th early 17th century in Salem Massachusetts. This is the eon during the Salem witch trials. This was probably, non the best time to be in Salem if I had to guess.The story starts of sunny, not so gloomy but suddenly gets that way as soon as Goodman Brown leaves his married woman Faith on his errand in the woods. Anything at dusk will devote that gloomy eerie filling, but woods pay off that little something supernumerary that makes them extra eerie. He had taken a dreary road, subduedened by both the gloomiest trees of the forest, which barely stood aside to let the narrow path pilfer through, and closed immediately. (Perkins 449) The imagery that pops up in your head when you read this is not the only thing I get out of this sentence a little creepy.The word usage is what sincerely gets me. Hawthornes use of spoken language was just amazing. The way he made you feel, you could tell it was not anyplace you would want to be. The words dreary, gloomiest and creep just gives you the chills. Once Goodman Brown is in the woods the setting only gets more(prenominal) gloomy and dreary. Another re ally strange scene is when Goodman Brown can shape the bright sky, and so all of a sudden a big cruddy slander forms right over Browns head. Everywhere else he could see the Blue Sky (Prekins 453) except over him. Is that not creepy or what?The book calls the dark cloud a black mass of cloud. (Perkins 453) This is when all the dark things happen. Some of the characters in Young Goodman Brown that have a gothic since to them a re very obvious. The Devil is an example of one that to me was a little tricky at first. This part of the story threw me. It took me reading it for the secant time to actually figure out that was the reproof was the gentleman that Goodman met in the woods the whole time. After sitting back and actually view about it, its quite obvious that this man is in situation the devil.The strange thing that I found about the devil is he was about the same age as Goodman Brown and favored him in expression more than features. (Perkins 449) So he was not at all what you think the devil would appear like. The one thing that did make since that was dark about the man, was his walking stick. His staff, which bore the likeness of a great black snake, so curiously wrought that it might almost be seen to trend and wriggle itself like a live serpent. (Perkins 449) This was the dark thing that should have warned Goodman about the man.Goodman Brown is another one that is a little off. though you d o not see it in the beginning of the story, you do more toward the end. Goodman seems like a god Christian fellow, especially when he says, With heaven above and Faith below, I will yet stand cockeyed against the devil. (Perkins 453) This is when the cloud talked about earlier appears and Goodman soon after loses his faith. One thing that caught my eye about Goodman Brown and why I thought he was somewhat corrupted is when he goes up to the altar. He tries fighting it the whole time, but eventually gives in.The elements in the story Young Goodman Brown that has the gothic feel to them are somewhat obvious, and the sympathy why he uses these elements. The reason Hawthorne uses Gothicism is to show that there can be evil in everyone. The devil can show up anywhere. Goodman Brown found this out the elusive way, he also found out sometimes you truly do not know someone. Some people can surprise you, and not be who you think they are. This is the biggest thing I got out of this stor y. Works Cited Perkins, George and Barbara. The American Tradition in Literature. New York, New York mcGraw-Hill, 2009.